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Title : The Wrong People: Valancourt 20th Century Classics

Author : Robin Maugham,Hannibal Hills,Valancourt Books

category : Books,LGBTQ+ Books,Literature & Fiction,Genre Fiction,Classics

Publisher : Robin Maugham,Hannibal Hills,Valancourt Books

ISBN-10 : B084M8SG7J

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The Wrong People: Valancourt 20th Century Classics by Robin Maugham,Hannibal Hills,Valancourt Books

Read Online and Download The Wrong People: Valancourt 20th Century Classics by Robin Maugham,Hannibal Hills,Valancourt Books. Set against the seedy backdrop of 1960s Tangier, The Wrong People (1967) is the story of Arnold Turner, a repressed English schoolmaster on holiday in Morocco, where he meets Ewing Baird, a wealthy American expat with a dark secret. Ewing lavishly entertains him and even provides him with a young lover, but as Arnold becomes more and more involved with Ewing he realizes only too late that he has been lured into a dangerous trap - and his only chance of escape is by helping Ewing to carry out a sinister plan. Drawing in part on the author’s real-life efforts to expose the African sex trafficking trade, Robin Maugham’s first explicitly gay-themed novel was both a critical and a commercial success, being reprinted several times - including in the important Gay Modern Classics series - and was optioned for a film version by Sal Mineo (Rebel Without a Cause). "I can only think of a handful of novelists who can play the reader like a hooked fish with comparable ingenuity and suppleness." (Francis King, Sunday Telegraph) "A very well-told story, every move nicely calculated and undeniably shuddery." (Daily Telegraph) "A gripping thriller. Storytelling at its best." (Sunday Express)

The Wrong People: Valancourt 20th Century Classics by Robin Maugham,Hannibal Hills,Valancourt Books Review

Although to a degree as a novelist Robin Maugham (May 17, 1916 – March 13, 1981) always lived and worked in the shadow of his more famous uncle, Somerset Maugham, Robin was a highly competent writer on his own with over thirty novels, travelogues, plays, and biographical works to his credit. A prime example of just how outstanding his writing is can be found in THE WRONG PEOPLE (1967). Having traveled extensively in Morocco, according to Lawrence, the novel is set in Tangiers and contains two of the most intriguing character studies readers could hope to encounter. The novel was controversial enough that Maugham first published it under the pseudonym of David Griffin since it deals with sex trafficking of under-aged youth. Ironically, the topic is still quite relevant today.Arnold Turner, divorced and thirty-five, is a school master at “an approved school” in London: Melton Hall, a government school “where they send naughty boys to be trained into respectable citizens.” On vacation in exotic Tangiers, the “slender man… with a pink face and silky fair hair receding from his smooth forehead [and] pale blue and slightly protuberant eyes” finds himself spending his days and nights pretty much as he would if he was still in London: alone. Then he meets Ewing Baird in a “notorious bar” owned and operated by a well-known but rather disreputable character by the name of Wayne.Baird, a rather unattractive, overweight man of about fifty, is an extremely wealthy and prominent local having inherited his wealth from his American industrialist father. He has connections which range among the street boys of Tangiers to those in high society and government positions. He is also a slick, master manipulator who has spent most of his life getting what he wants out of others and if he is refused or failed by others, he has no hesitancy when it comes to extracting revenge. Seeing Arnold alone at Wayne’s, Baird is quick to suspect the reason why and even more quickly makes every effort to wine and dine and befriend Arnold for Arnold may very well hold the key to what Baird currently wants most.Maugham’s writing is incredibly evocative. He brings the streets, shady areas, and poverty as well as the mansions and high life of Tangiers vividly to life. His dialogue is witty and lends support to the various diverse characters who people the novel. The author’s descriptions of his characters are often lively and clever, making them quite unique. One individual, for example, gets compared to a “prehistoric animal… seen in illustrations to a natural history schoolbook, nibbling at the leaves of a tree.” There are occasional literary references which readers are bound to find pleasing and Maugham even recreates in a totally different context one of the most iconic beach scenes in all of cinema: Deborah Kerr and Burt Lancaster in FROM HERE TO ETERNITY (1953).Baird worms his way into Arnold’s good graces, erases the younger man’s suspicions and wins his friendship with uncommon generosity and intimate revelations of Baird’s own life one would normally not share with a stranger. Ultimately, Baird provides Arnold with what he has for years longed for, feared, and shied away from: the companionship of a warm and affectionate young boy, Riffi, a fourteen-year-old Berber from the mountains above Chauen.One of the most alluring attractions of THE WRONG PEOPLE is watching Baird in action—a man whose attitude and actions masque pure corruption. The naïve, unworldly but extremely needy Arnold is the perfect catch for the wealthy older man as readers espy Baird’s machinations and watch him lure the smitten schoolmaster deeper into his world. Once Baird finally reveals his wishes to Arnold, Baird has done so much for the younger man and has devised the most intricate of plans that Arnold’s dismay and revulsion are rather futile reactions and readers are left in breathless suspense. Above all, humans, Maugham would have his readers know, are not flawless and a person’s motivations and desires can and do change.Although far from explicit, especially by modern standards, and most certainly not pornographic nor supportive of sex trafficking (indeed, Maugham wrote about and helped lead efforts to put a stop to such activity in his lifetime), THE WRONG PEOPLE still has considerable power to make some readers uneasy.Throughout the novel some of Baird’s many recollections he reveals to Arnold as well as some of the realities which begin to penetrate Arnold’s consciousness reveal some harsh truths. As the author moves THE WRONG PEOPLE to its conclusion, the novel is fraught with danger, suspense, and the most questionable kinds of personal morality. The ending provides some surprising redemption as well as some unsentimental even harsh authenticity. To say THE WRONG PEOPLE is a brilliant work, does not do it enough justice.

A fascinating web of suspense in a world both appealing and revolting. Sal Mineo wanted to make it into a film. I have to wonder, could it have been as good as the film the writer created in my mind, and how would a 2019 screenplay adjust the story to our modern expectations? I almost gave this 5 stars, but I wish there had been fewer issues left unresolved at the end.

A very well written book, as one would expect from someone with Maugham’s pedigree. It is well paced without rushing the reader. The topic however some may find – in our more enlightened age – rather murky. Not that these situations have gone away of course – just moved to different countries.It concerns a rather prudish smug public school teacher, Arnold Turner, who knows he is gay but can’t really do anything about it in the England of his day. He hears that North Africa is the place to go and he uses up what little savings he has for a fortnight’s holiday over the Christmas holidays hoping something would happen while there. Nothing does of course because he is far too timid to try anything. ‘No self respecting English gentleman would lower himself….’etc etc. His exposure to other gay men is very limited so he has a rather narrow idea of what they are like. He is aware that he likes younger men but he has never done anything or given any reason for the school authorities to doubt that he is anything but totally respectable. And on paper he is. It is what is going on in his head that would shock them. The background to Tangiers as some sort of gay paradise is explored in many works of the time and some idea of what went on there can be read in Joe Orton’s diaries and Kenneth Williams' diaries too to a lesser degree. In reality of course it was a mixture of poverty, no social service infrastructure and a deeply segregated society which enabled rich – by North African standards of the time – men to exploit these youths. A pair of jeans as payment could go a long way even for the most unattractive man.If you have ever lived an expatriate life you will recognise the main peripheral characters in the book. The drunks. The bored wives of rich business men. The men of dubious backgrounds. The idle rich living off trust funds. Ewing Baird is one such man. He has no need to work and lives in style in a beautiful mansion in the hills around Tangier. He knows everyone and is known to anyone of note in the city. He is liberal with his money and presents but by the time Arnold meets him in an empty gay bar he has grown tired with everything. He’s basically done it all. What ‘it all’ actually is we are never told directly but his past habitual lifestyle would most certainly have put him behind bars in the UK or the US. The desperate youths on the periphery of Tangiers seedy world all know him and have probably benefited financially from his custom in the past. A few trinkets seemed to suffice. After so many years of gross self indulgence he longs to find someone he can actually communicate with. His casual pick ups can barely write their own name. He formulates a plan to find a youth whom he can mold to his needs – educate him in world culture and get him to treat Ewing as the beneficent man that he believes himself to be. The physical side of things he shrugs off – in public anyway.Arnold is seen as the key to this plan coming to fruition. A school teacher in a school for troubled children he could find one suitable for Ewing’s plan. But Ewing has to overcome Arnold’s abhorrence of the idea. The wealthy businessman is well aware why Arnold is in Tangier and sets a plan in motion to ensnare him in his own lusts so that he will have to execute his plan. The centre of this trap is a youth called Riffi. Arnold becomes infatuated by him. He has no idea of the type of youth that Riffi is, his background or his part in Ewing’s plan. The flood gates of the mild teacher’s sexual repression burst and the object is Riffi – who doesn’t care one way or the other as he has a generous meal ticket.You have to second guess a lot of what Ewing is up to and you never really know what is real and what isn’t. Arnold is enslaved to his lusts and is ignorant of the society into which he has entered. The last quarter of the book follows the ‘kidnapping' of Dan from the school but from there it takes a completely unexpected turn. I won’t reveal that but it does raise a few questions.This version has an introduction by Peter Burton and puts the novel in the context of its day and how it eventually got published. The readers sensibilities will not be shocked either of course as any unsavoury activity is carried on behind closed doors. It’s well worth a read anyway and puts a bit of colour on Tangier at the time of Orton and co. Ultimately the youths in the novel are mere accessories for the men who use them but that is the case everywhere – the poor end up with few choices as to where their bread comes from.

I give Maugham credit for building suspense and crafting an ingenious tangled web but I was skeeved out by the story, generally speaking. Repulsion is the intent to a certain degree but clearly we are meant to feel some affinity with main character Arnold and that's where the book falls flat for me.The product description here is specious, "young lover" is rather slippery work. Underage sex trafficking is the topic and it seems to be very agreeable to Arnold when the victim is a poor boy from Tangier who barely speaks English. As soon as the victim is white, Arnold develops a conscience. Nothing in the book addresses this cognitive dissonance nor does Arnold ever examine his own desires in that context. It's just a given by Maugham that the white boy from Arnold's school is worthy of protection from sexual abuse in a way that Arnold's own underage prey Riffi is not. In this way the book has not aged well.

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The Wrong People: Valancourt 20th Century Classics by Robin Maugham,Hannibal Hills,Valancourt Books

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